Living in
New York this year has been filled with elation and melancholy, poverty
consciousness grows inside me like a weed as the bills pile high and there’s no
sign of work. My daughter sings every morning though and my
son hugs me every day even though he’s already fourteen. I see them grow by the millimeter, notice
every subtle mood, make their lunch every morning and hide secret messages
inside their napkins. I’m surrounded by
the joys of parenthood and in between our conversations about school where I’m
given permission to interject (because I always have to), I realize that I am
the most important teacher in their lives and I do a hell of a job at it
too. How much are our conversations
worth if I compare them to the conversations children of privilege have at some
private school? I am after all a
private, one-to-one, state of the art, PhD clad instructor on life, academics
and social development, aren’t I? Can’t
afford to pay the rent this month, but I’m spilling every ounce of wisdom into
my two babies’ ears, a luxury that last year I couldn’t afford because I was so
far away making a living in Abu Dhabi. I
know this will not last for long. I can’t
afford to stay home.
My mind
wanders to Up With Chris Hayes as he discussed the value of a woman’s work at home (or a
man’s for that matter, because as many of you know my husband has been home
raising the kids for years while I traveled).
Chris was outraged by Romney’s comment that we need to make sure poor
people learn the “dignity” of work. I’m
reminded of how unfair our society is and how often we discredit the most
important types of work, the work that sprouts up from the blood and sweat of a
family, a community, a culture, a tribe, a passing down of a legacy, of
hope. The taking care of people. The value of human beings.
The Dwyer
Cultural Center falters under the heavy pressures of the economy as does
many other cultural and social institutions in Harlem, the Bronx, New York, the
US, all over the globe. I’m talking
about the rattle and shake of the big boys pressing down on the few places working
middle class and poor folks can go to for help and a sense of community. The unions are disappearing and the schools
are being locked up and sealed behind business cubicles, jobs are little to
none and if someone is working—it’s often temporary consultant work where
community building gets harder and harder. Read
Sennett’s work. Where do people have
these democratic conversations if everyone is worrying at home, isolated, desperately
fighting off the onslaught of a depression that feels so much worse emotionally
and psychologically than what we might see on the outside where garbage and
broken concrete are accumulating? Who
has the energy to go outside when you’re bankrupt and the house over your head
is falling and mostly, just like back in the day, in the Reagan years, it’s
still mostly women and children who are falling.
Voza Rivers the Chairman of the Harlem Arts Alliance (also the Executive
Director of the New Heritage Theater Group) hands me a check to put in my broken pocket. He’s been writing checks for years supporting
hundreds of struggling artists of color.
It is who he is and he does it effortlessly. As we drive down Lenox Avenue, he tells me
the horror stories of what’s going on, which businesses are falling off the
radar and how he and Lloyd Williams,
the President of the Harlem Chamber of Commerce are discussing how the cultural
institutions in the black community need to work together, merge in order to
leverage their resources, create a united front as they navigate this flailing
economic rampage, hardest on poor communities of color across the United
States. I look down at the check in my
hands and I’m reminded of my own isolation and my own economic downfall, then
as if he picks up on my energy he says, “Everybody’s going through the same
thing. We’ve all been there before.” Then I feel a surge of hope born out of the
admiration for the man. He’s so
different than what they say about black folk and poor people in general. “We must continue to help each other and push
aside our silly differences. This is
about the community, not about one man’s personal credit.” Voza is the essence of community
building. Donate.
When I get
home, I flip open the book Voza lent me.
Panther
Baby by Jamal Joseph. In the first few pages Jamal writes:
“In 1968 nobody was badder than the
Panthers. They took manhood rating to
another level. Not only were they
willing to fight and die for “theirs,” they were also willing to lay down
their lives for every man, woman, and child in the black community whether they
knew them personally or not.”
All of the
images of blacks looting on television whenever there’s a crisis flashes
through my mind and I think, this is so different than the black folk I’ve been
taught to see. Who are these people that in spite of poverty consciousness are willing to lend a hand and pick each other
out of the ditch? Just like workers in
Abu Dhabi whose salaries shelter and feed huge families and me and my own
family taking care of each other, even in the most desperate times, my friends,
my cousins, my “peeps,” always taking care of each other, spreading thin the
few pennies like a grape jelly smear on a bagel. We’ve always been fighting, giving, working
with each other. There are so many of us and when you hear our stories, you
must wonder how we can't believe in ourselves. How much weight can a people carry, how heavy
a load is needed to wear us down? Believe.
In my new novel,
Flip Flops in Winter (represented by
a fabulous up and coming Latina literary agent, Leticia Gomez) which is about my
grandmother who came to New York City in 1935 from Puerto Rico to work for a
wealthy Jewish family in exchange for piano lessons, Maria discovers how poor folks
in Harlem were forced to live together in order to help each other pay rent:
“I fell silent. Ruben and Walker had prepared me for it
earlier in the week. They explained that
no one wanted to rent to Negroes throughout the city so landlords in Harlem
charged them outrages prices knowing very well they had no other choice. An average apartment could rent for fifty
dollars for a white family while they’d ask somewhere between one hundred and a
hundred and fifty dollars for a Negro family.
That was why so many Negro families took in boarders once they were
in. It was the only way they could
afford the high rent.”
How we frame our experiences is
important, I think, how we share with each other and publish personal accounts
about what is really happening out
there is important work. Don’t stop. Poverty consciousness and community giving is
at the heart of the poor man’s experience and people of color in
particular. Often we forget our
heritage, we are misinformed by the media, we are broken down at the work
place, pulled apart when we try to exercise our democratic rights, we are
marginalized in so many ways that are both subtle and overt—
Each one of us who is out there
working, we share what we have with those of us less fortunate. Men and women are walking around, tired and
groggy, first thing in the morning to the night, carrying a briefcase or a hard
hat or a black and white composition notebook in a cotton bag— we are carrying
ourselves and more often than not, if you look a little deeper, we are carrying
so many more around us who are struggling to make ends meet.
We can’t and don’t do it alone regardless
of what some folks have you think. We
know what it means to be a community. We
must give thanks to all the poor, working & middle class patrons who are
carrying so many these days. And, know
this. The rich do not have a monopoly on philanthropy.
No comments:
Post a Comment